702 Master List

702.1: Clefs

Merryman, Music Theory Handbook, pp. 1-3

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 10-19.

Kostka & Payne, Tonal Harmony, 8th ed., 2-3.

Kostka & Payne, Tonal Harmony, 7th ed., 2-3.

Kostka & Payne, Tonal Harmony, 6th ed., 3-5.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 2-7.

Roig-Francoli, Harmony in Context, pp. 2-4.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 4-6.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 3-6.

Snodgrass, Contemporary Musicianship, pp. 2-5.

Holm-Hudson, Music Theory Remixed, pp. 12-18

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/notation-of-notes-clefs-and-ledger-lines/

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/pitches.html

MusicTheory.net, https://www.musictheory.net/lessons/10.

Resources

• Pitch and Frequency (the Physics of Sound) (physicsclassroom.com)
• Music Notation Style Guide (Indiana University)

702.2: Intervals:

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 22-35.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 6-12.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 57-77.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 27-37.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 7-9; 115-134.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/intervals/

Holm-Hudson, Music Theory Remixed, pp. 45-65.

Kostka & Payne, Tonal Harmony, 6th ed., 18-25.

Kostka & Payne, Tonal Harmony, 7th ed., 16-23.

Kostka & Payne, Tonal Harmony, 8th ed., 16-23.

Laitz, Graduate Review of Tonal Theory, pp. 20-22

Merryman, Music Theory Handbook, pp. 7-9

NB: What MusicTheory.net calls “Firsts” we typically call “Unisons.”

https://www.musictheory.net/lessons/30 - Generic Intervals

https://www.musictheory.net/lessons/31 - Specific Intervals

https://www.musictheory.net/lessons/32 - Writing Intervals

https://www.musictheory.net/lessons/33 - Interval Inversion

Monahan, https://www.youtube.com/watch?v=5GkwGqrX83w

Roig-Francoli, Harmony in Context, pp. 4-13.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/intervals.html

Snodgrass, Contemporary Musicianship, pp. 71-91.

Resources

• Specific Intervals (musictheory.net)
• Interval Introduction (Robert Hutchinson)
• Intervals (Hello Music Theory)
• Diminished and Augmented Intervals (Open Textbooks)
• Diminished and Augmented Intervals (Robert Hutchinson)
• Compound Intervals (Hello Music Theory)
• Interval Ear Training (musictheory.net)
• Interval Ear Training (Tone Dear)
• Interval Ear Training (teoria)
• Interval Identification (musictheory.net)
• Keyboard Interval Identification (musictheory.net)

702.3: Major and Minor Scales

https://www.musictheory.net/lessons/21 - The Major Scale

https://www.musictheory.net/lessons/22 - The Minor Scale

https://www.musictheory.net/lessons/23 - Scale Degrees

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 3-22.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 13-15.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 29-57.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 16-26.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 49-57; 92-107.

Gotham et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/minor-scales/

Gotham et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/minor-scales/

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/major-scales/

Holm-Hudson, Music Theory Remixed, pp. 18-40.

Kostka & Payne, Tonal Harmony, 6th ed., 6-17.

Kostka & Payne, Tonal Harmony, 7th ed., 4-15.

Kostka & Payne, Tonal Harmony, 8th ed., 4-15.

Laitz, Gradute Review of Tonal Theory, pp. 17-19.

Merryman, Music Theory Handbook, pp. 4-7.

Monahan, https://www.youtube.com/watch?v=LgZH3Vee7xE, https://www.youtube.com/watch?v=TG7wrcLp7hs

Roig-Francoli, Harmony in Context, pp. 44-48.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/scales.html

Snodgrass, Contemporary Musicianship, pp. 25-71.

4. Key Signatures

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 3-22.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 15-17.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 32-57.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 20-23.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 58-65, 92-96.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/major-scales/, https://viva.pressbooks.pub/openmusictheory/chapter/minor-scales/

Kostka & Payne, Tonal Harmony, 6th ed., 8-11; 13-16.

Kostka & Payne, Tonal Harmony, 7th ed., 6-10; 11-14.

Kostka & Payne, Tonal Harmony, 8th ed., 6-10; 11-14.

Laitz, Graduate Review of Tonal Theory, pp. 19-20.

Merryman, Music Theory Handbook, pp. 3-4.

Monahan, https://www.youtube.com/watch?v=h8ffA6LqCWU

https://www.musictheory.net/lessons/24 - Key Signatures

https://www.musictheory.net/lessons/25 - Key Signature Calculation

Roig-Francoli, Harmony in Context, pp. 48-51.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/scales.html

Snodgrass, Contemporary Musicianship, pp. 27-33; 51-54.

702.5: Triads

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 48-56.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 17-19; 33-45.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 77-99.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 37-40.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 135-144.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/triads/

Holm-Hudson, Music Theory Remixed, pp. 93-96.

Kostka & Payne, Tonal Harmony, 6th ed., 41-42.

Kostka & Payne, Tonal Harmony, 7th ed., 38-39.

Kostka & Payne, Tonal Harmony, 8th ed., 38-39.

Laitz, Graduate Review of Tonal Theory, 30-31.

Merryman, Music Theory Handbook, pp. 14-17.

Monahan, https://www.youtube.com/watch?v=gLgjDFVZf_E

MusicTheory.net, https://www.musictheory.net/lessons/40, https://www.musictheory.net/lessons/42, https://www.musictheory.net/lessons/44.

Roig-Francoli, Harmony in Context, pp. 89-94.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/triads.html.

Snodgrass, Contemporary Musicianship, pp. 92-109.

702.6: 4-part writing

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 63-81.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 195-217.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 48-54.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 240-253.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/roman-numerals/

Holm-Hudson, Music Theory Remixed, pp. 191-208.

Kostka & Payne, Tonal Harmony, 6th ed., 73-88.

Kostka & Payne, Tonal Harmony, 7th ed., 66-94.

Kostka & Payne, Tonal Harmony, 8th ed., 66-94.

Laitz, Graduate Review of Tonal Theory, 36-38.

Merryman, Music Theory Handbook, pp. 34-36.

Roig-Francoli, Harmony in Context, pp. 138-157.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/contents.html, Strict four-voice composition section.

Snodgrass, Contemporary Musicianship, pp. 151-160.

702.7: Figured Bass

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 47-63.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 232-234.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 84-99.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 55-59

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 145-148.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/inversion-and-figured-bass/

Holm-Hudson, Music Theory Remixed, pp. 101-115.

Kostka & Payne, Tonal Harmony, 6th ed., 47-48.

Kostka & Payne, Tonal Harmony, 7th ed., 44-45.

Kostka & Payne, Tonal Harmony, 8th ed., 44-45.

Laitz, Graduate Review of Tonal Theory, 31-35.

Merryman, Music Theory Handbook, pp. 49-50.

Monahan, https://www.youtube.com/watch?v=vdxcftPl3ds

Roig-Francoli, Harmony in Context, pp. 103-114.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/RNfromFB.html.

Snodgrass, Contemporary Musicianship, pp. 149-151.

702.8: Seventh Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 56-63.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 45-52.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 81-99.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 41-44; 111-118.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 152-171.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/seventh-chords/

Holm-Hudson, Music Theory Remixed, pp. 97-115.

Kostka & Payne, Tonal Harmony, 6th ed., 43-46; 66-68.

Kostka & Payne, Tonal Harmony, 7th ed., 40-41; 61-65.

Kostka & Payne, Tonal Harmony, 8th ed., 40-41; 61-65.

Laitz, Graduate Review of Tonal Theory, 64-67.

Merryman, Music Theory Handbook, pp. 46-49.

Monahan, https://www.youtube.com/watch?v=XKD1TFW8jGE

MusicTheory.net, https://www.musictheory.net/lessons/45, https://www.musictheory.net/lessons/48, https://www.musictheory.net/lessons/47.

Roig-Francoli, Harmony in Context, pp. 94-103.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/triads.html.

Snodgrass, Contemporary Musicianship, pp. 111-129.

702.9: Analysis of Chords, 4-part harmonization, Figured Bass Realization of 7th Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 83-96.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 81-99.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 55-60.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 254-262.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/roman-numerals/

Holm-Hudson, Music Theory Remixed, pp. 210-224.

Kostka & Payne, Tonal Harmony, 6th ed., 89-102.

Kostka & Payne, Tonal Harmony, 7th ed., 95-113.

Kostka & Payne, Tonal Harmony, 8th ed., 95-113.

Merryman, Music Theory Handbook, pp. 33-65.

Monahan, https://www.youtube.com/watch?v=9eGf7COxgJM

MusicTheory.net, https://www.musictheory.net/lessons/46.

Roig-Francoli, Harmony in Context, pp. 158-177.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/TBDemo.html.

Snodgrass, Contemporary Musicianship, pp. 129-146.

10. Phrase Model???

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 146-158.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 107-112.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 101-123.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 73-83

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 240-266

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/foundational-concepts/, https://viva.pressbooks.pub/openmusictheory/chapter/phrase-archetypes-unique-forms/

Holm-Hudson, Music Theory Remixed, pp. 158-190; 297-310.

Kostka & Payne, Tonal Harmony, 6th ed., 155-179.

Kostka & Payne, Tonal Harmony, 7th ed., 145-170.

Kostka & Payne, Tonal Harmony, 8th ed., 145-170.

Laitz, Graduate Review of Tonal Theory, 73-80.

Merryman, Music Theory Handbook, pp. 36-37; 87-94.

Monahan, https://www.youtube.com/watch?v=_TTNr9oAtlg

MusicTheory.net, https://www.musictheory.net/lessons/55.

Roig-Francoli, Harmony in Context, pp. 242-261.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/externalExpansions.html, https://openmusictheory.github.io/internalExpansions.html.

Snodgrass, Contemporary Musicianship, pp. 172-190.

702.11: Analyzing 7th Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 112-125.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 78-85.

Benward 239-259.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 111-118.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 266-286.

Holm-Hudson, Music Theory Remixed, pp. 224-239.

Kostka & Payne, Tonal Harmony, 6th ed., 211-228.

Kostka & Payne, Tonal Harmony, 7th ed., 198-215.

Kostka & Payne, Tonal Harmony, 8th ed., 218-235.

Monahan, https://www.youtube.com/watch?v=0TWvcnBzFp0

MusicTheory.net, https://www.musictheory.net/lessons/49.

Roig-Francoli, Harmony in Context, pp. 377-397.

Snodgrass, Contemporary Musicianship, pp. 121-129.

702.12: 9th Chords

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 458-59.

Kostka & Payne, Tonal Harmony, 8th ed., 425-428.

Kostka & Payne, Tonal Harmony, 7th ed., 414-417.

Kostka & Payne, Tonal Harmony, 6th ed., 449-451.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 165-171.

Holm-Hudson, Music Theory Remixed, pp. 695-712.

13 Embellishing Tones?

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 329-348.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 106-123.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 83-91; 195-203.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 333-358

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/embellishing-tones/

Holm-Hudson, Music Theory Remixed, pp. 239-267.

Kostka & Payne, Tonal Harmony, 6th ed., 181-208.

Kostka & Payne, Tonal Harmony, 7th ed., 171-197.

Kostka & Payne, Tonal Harmony, 8th ed., 185-216.

Laitz, Graduate Review of Tonal Theory, 80-86.

Merryman, Music Theory Handbook, pp. 41-42.

Monahan, https://www.youtube.com/watch?v=9E11qWJvzhs

Roig-Francoli, Harmony in Context, pp. 287-310.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/embellishingTones.html.

Snodgrass, Contemporary Musicianship, pp. 190-207.

702.14: Borrowed Chords/Modal Mixture

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 390-404.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 129-136.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 481-495.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 274-282.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 558-567.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/modal-mixture/

Holm-Hudson, Music Theory Remixed, pp. 379-393.

Kostka & Payne, Tonal Harmony, 6th ed., 365-380.

Kostka & Payne, Tonal Harmony, 7th ed., 346-370.

Kostka & Payne, Tonal Harmony, 8th ed., 357-381.

Laitz, Graduate Review of Tonal Theory, 163-71.

Merryman, Music Theory Handbook, pp. 58-60.

Roig-Francoli, Harmony in Context, pp. 636-646.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/modalMixture.html.

Snodgrass, Contemporary Musicianship, pp. 260-282.

702.15: Secondary Dominants (or Applied Dominants)

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 422-448.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 139-126.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 291-319.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 238-248; 248-255.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 399-417

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/tonicization/

Holm-Hudson, Music Theory Remixed, pp. 348-365.

Kostka & Payne, Tonal Harmony, 6th ed., 259-275.

Kostka & Payne, Tonal Harmony, 7th ed., 245-261.

Kostka & Payne, Tonal Harmony, 8th ed., 256-272.

Laitz, Graduate Review of Tonal Theory, 137-141. (Applied Dominants)

Merryman, Music Theory Handbook, pp. 51-54.

Monahan, https://www.youtube.com/watch?v=tkyq5jKxmSI

Roig-Francoli, Harmony in Context, pp. 474-496.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/appliedChords.html.

Snodgrass, Contemporary Musicianship, pp. 221-240.

702.16: Altered Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 471-490.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 143-149.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 613-623.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 298-306.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 558-75.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/altered-and-extended-dominant-chords/

Holm-Hudson, Music Theory Remixed, pp. 693-712.

Kostka & Payne, Tonal Harmony, 6th ed., 257-260.

Kostka & Payne, Tonal Harmony, 7th ed., 244-245.

Kostka & Payne, Tonal Harmony, 8th ed., 255-256.

Merryman, Music Theory Handbook, pp. 54-56.

Roig-Francoli, Harmony in Context, pp. 474-476.

Snodgrass, Contemporary Musicianship, pp. 207-221.

702.17: Diminished 7th Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 377-390.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 143-149.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 259-275.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 203-209.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 359-374.

Holm-Hudson, Music Theory Remixed, pp. 365-379.

Kostka & Payne, Tonal Harmony, 6th ed., 232-242; 277-301.

Kostka & Payne, Tonal Harmony, 7th ed., 220-230; 262-286.

Kostka & Payne, Tonal Harmony, 8th ed., 240-244; 273-297.

Laitz, Graduate Review of Tonal Theory, 67-69.

Merryman, Music Theory Handbook, pp. 56-58.

Monahan, https://www.youtube.com/watch?v=CeqafmSj4fY

Roig-Francoli, Harmony in Context, pp. 441-467.

Snodgrass, Contemporary Musicianship, pp. 240-260.

702.18: Neapolitan Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 490-512.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 149-154.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 495-509.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 282-288.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 576-584.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/bii6/

Holm-Hudson, Music Theory Remixed, pp. 663-671.

Kostka & Payne, Tonal Harmony, 6th ed., 381-394.

Kostka & Payne, Tonal Harmony, 7th ed., 353-370.

Kostka & Payne, Tonal Harmony, 8th ed., 364-381.

Laitz, Graduate Review of Tonal Theory, 183-185.

Merryman, Music Theory Handbook, p. 60.

Monahan, https://www.youtube.com/watch?v=WZDtj3giC-Y

MusicTheory.net, https://www.musictheory.net/lessons/120, https://www.musictheory.net/lessons/121.

Roig-Francoli, Harmony in Context, pp. 664-671.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/alteredSubdominants.html.

702.19: Augmented 6th Chords

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 512-540.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 154-161.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 509-527.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 288-298.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 585-601.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/augmented-sixth-chords/

Holm-Hudson, Music Theory Remixed, pp. 671-693.

Kostka & Payne, Tonal Harmony, 6th ed., 395-423.

Kostka & Payne, Tonal Harmony, 7th ed., 371-390.

Kostka & Payne, Tonal Harmony, 8th ed., 382-401.

Laitz, Graduate Review of Tonal Theory, 186-190.

Merryman, Music Theory Handbook, pp. 60-62.

Monahan, https://www.youtube.com/watch?v=u8UZgfRezpM

Roig-Francoli, Harmony in Context, pp. 672-701.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/alteredSubdominants.html.

702.20: Modulation

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 448-469.

Benjamin, Techniques & Materials of Music, 6th ed., pp. 161-165.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 319-343.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 257-265.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 469-90.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/tonicization/, https://viva.pressbooks.pub/openmusictheory/chapter/extended-tonicization-and-modulation-to-closely-related-keys/

Holm-Hudson, Music Theory Remixed, pp. 393-394.

Kostka & Payne, Tonal Harmony, 6th ed., 303-306.

Kostka & Payne, Tonal Harmony, 7th ed., 287-290.

Kostka & Payne, Tonal Harmony, 8th ed., 298-301.

Laitz, Graduate Review of Tonal Theory, 148-153.

Merryman, Music Theory Handbook, pp. 54-56.

Monahan, https://www.youtube.com/watch?v=Uv65arOQw3Q

Roig-Francoli, Harmony in Context, pp. 540-554.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/Modulation.html.

Snodgrass, Contemporary Musicianship, pp. 282-307.

702.21: Common Chord Modulation

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 320-322.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 265-274.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 469-77.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/common-tone-chords/

Holm-Hudson, Music Theory Remixed, pp. 394-403.

Kostka & Payne, Tonal Harmony, 6th ed., 307-317.

Kostka & Payne, Tonal Harmony, 7th ed., 291-301.

Kostka & Payne, Tonal Harmony, 8th ed., 302-312.

Laitz, Graduate Review of Tonal Theory, 172-173.

Roig-Francoli, Harmony in Context, pp. 540-583.

Snodgrass, Contemporary Musicianship, pp. 283-287.

702.22: Chromatic Modulation

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 540-561.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 320-322.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 308-317.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 602-623.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/reinterpreting-augmented-sixth-chords/

Holm-Hudson, Music Theory Remixed, pp. 403-415.

Kostka & Payne, Tonal Harmony, 6th ed., 319-322.

Kostka & Payne, Tonal Harmony, 7th ed., 302-305.

Kostka & Payne, Tonal Harmony, 8th ed., 313-316.

Laitz, Graduate Review of Tonal Theory, 172-176.

Roig-Francoli, Harmony in Context, pp. 555-573.

Snodgrass, Contemporary Musicianship, pp. 289-290.

702.23: Pivot Chord Modulation/Direct Modulation

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 321-322.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 268-272.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 469-477.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/harmonic-elision/

Holm-Hudson, Music Theory Remixed, pp. 415-421.

Kostka & Payne, Tonal Harmony, 6th ed., 323-334.

Kostka & Payne, Tonal Harmony, 7th ed., 311-317.

Kostka & Payne, Tonal Harmony, 8th ed., 322-328.

Laitz, Graduate Review of Tonal Theory, 149-50.

Roig-Francoli, Harmony in Context, pp. 540-573.

Snodgrass, Contemporary Musicianship, pp. 283-287.

702.24: Modulation II

Aldwell & Schachter, Harmony & Voice Leading, 3rd ed., pp. 561-595.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 623-633.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 317-329.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 602-623.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/chromatic-sequences/

Holm-Hudson, Music Theory Remixed, pp. 421-428.

Kostka & Payne, Tonal Harmony, 6th ed., 425-441.

Kostka & Payne, Tonal Harmony, 7th ed., 391-407.

Kostka & Payne, Tonal Harmony, 8th ed., 402-417.

Laitz, Graduate Review of Tonal Theory, 148-55.

Merryman, Music Theory Handbook, pp. 63-67.

Roig-Francoli, Harmony in Context, pp. 701-769.

Snodgrass, Contemporary Musicianship, pp. 290-307.

702.25: Form

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 343-377.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 347-360.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 491-511.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/binary-form/, https://viva.pressbooks.pub/openmusictheory/chapter/ternary-form/

Holm-Hudson, Music Theory Remixed, pp. 456-497.

Kostka & Payne, Tonal Harmony, 6th ed., 335-344.

Kostka & Payne, Tonal Harmony, 7th ed., 318-327.

Kostka & Payne, Tonal Harmony, 8th ed., 329-338.

Laitz, Graduate Review of Tonal Theory, 156-159; 197-206.

Merryman, Music Theory Handbook, pp. 95-98.

Roig-Francoli, Harmony in Context, pp. 583-599.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/contents.html, Classical Theme Types section.

702.26: Sonata Allegro Form

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 547-577.

Burstein & Straus, Concise Introduction to Tonal Harmony, pp. 361-370.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 650-680.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/chapter/sonata-form/

Holm-Hudson, Music Theory Remixed, pp. 497-539.

Kostka & Payne, Tonal Harmony, 6th ed., 344-362.

Kostka & Payne, Tonal Harmony, 7th ed., 327-345.

Kostka & Payne, Tonal Harmony, 8th ed., 338-356.

Laitz, Graduate Review of Tonal Theory, 208-214.

Merryman, Music Theory Handbook, pp. 98-103.

Roig-Francoli, Harmony in Context, pp. 769-786.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/contents.html, Sonata Form section.

27: Atonality

Benjamin, Techniques & Materials of Music, 6th ed., pp. 171-203.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 655-723.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 745-787.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/part/20th-and-21st-century-techniques/

Holm-Hudson, Music Theory Remixed, pp. 759-782.

Kostka & Payne, Tonal Harmony, 6th ed., 495-539.

Kostka & Payne, Tonal Harmony, 7th ed., 452-493.

Kostka & Payne, Tonal Harmony, 8th ed., 463-504.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/contents.html, Basics and Organizating Forces sections.

28: Atonality/Set Theory

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 723-739.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 788-810; 811-832.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/part/20th-and-21st-century-techniques/

Holm-Hudson, Music Theory Remixed, pp. 791-804.

Kostka & Payne, Tonal Harmony, 6th ed., 541-551.

Kostka & Payne, Tonal Harmony, 7th ed., 494-504.

Kostka & Payne, Tonal Harmony, 8th ed., 505-515.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/contents.html, Set Theory section.

29: 12 Tone

Benjamin, Techniques & Materials of Music, 6th ed., pp. 203-208.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 739-759.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 833-855.

Gotham, et al., Open Music Theory, https://viva.pressbooks.pub/openmusictheory/part/twelve-tone-music/

Holm-Hudson, Music Theory Remixed, pp. 782-786; 804-814.

Kostka & Payne, Tonal Harmony, 6th ed., 552-564.

Kostka & Payne, Tonal Harmony, 7th ed., 505-516.

Kostka & Payne, Tonal Harmony, 8th ed., 516-527.

Shaffer, et. al., Open Music Theory, https://openmusictheory.github.io/contents.html, Twelve-Tone Theory section.

30: Serialism

Benjamin, Techniques & Materials of Music, 6th ed., pp. 208-214.

Benward & Saker, Music in Theory and Practice, 10th ed., pp. 759-761.

Clendinning & Marvin, The Musician’s Guide to Theory and Analysis, 4th ed., 856-863.

Holm-Hudson, Music Theory Remixed, pp. 786-791.

Kostka & Payne, Tonal Harmony, 6th ed., 565-570.

Kostka & Payne, Tonal Harmony, 7th ed., 517-521.

Kostka & Payne, Tonal Harmony, 8th ed., 528-554.

Music Matters, https://www.youtube.com/watch?v=8sm3o-2cfIQ,